Thursday, June 12, 2014
I keep seeing a lot of DJs on my newsfeed post about how they view "going into to the red" equivalent to distortion. While it is great practice to keep the gain levels under the red, what many DJs don't understand, is how a mixer works, and that there is a certain generous level of "red" that actually doesn't cause any distortion, despite their belief in that myth. This belief has caused many DJs to meme pics of major headliners slightly or moderately into the red and troll them for poor DJ technique. Here was my response to one of those memes. I tried to be more concise than I used to be on this subject.
Redlining = Distortion
In high quality analog and digital mixers, going above 0dB DOES NOT immediately clip the signal. In older and some cheaper equipment it may be the case, especially with cheaper analog gear. However, one of the reasons why 96khz is such a big deal despite digital files played back are only 44.1khz, is because of the "headroom" it provides. And high quality analog circuitry also provides good analog "headroom" as well.
Unless you are actually way past the mixer channel's distortion threshold which is way above 0dB; above the mixer's master output which is usually past 80% on the master knob; overdriving the amplifier; OR driving the speakers beyond their power capacity, YOU WILL NOT CLIP WITH MOST MODERN MIXERS.
THINK ABOUT IT
Lets say you mix two tracks and they both peak at 0dB, your overall master signal should red line since two signals will cause the overall signal to expand. Notice it doesn't clip? Also, notice how some mixers can be "louder" than others? And sometimes 0dB is labeled as red but the yellow way before the red?
USE THE METERS FOR THE RIGHT REASONS
It is a guide to be used to properly "balance" your signal. If it is into the solid red, it is hard to gauge how much louder one side is from the other. Keeping your levels at a point where the meters are flowing freely helps you keep your levels in shape.
USE YOUR EARS NOT YOUR EYES
Not every mixer is built the same. Sometimes there can even be sonic differences in mixers of the same model, simply because they upgraded the internal circuitry during production. This will also lead you to discover that it is easier the clip some mixers over others. Use your ears to judge distortion, and don't force distortion just because the meters tell you that you are safely in the green.
The following article explains a bit more on the subject.